In a blurb in the Minneapolis Star (September 1, 1977), station manager Dale Webber was quoted as saying the reason for the change was getting out of the ridiculous Top 40 market. There were three other country stations on AM in the market at the time. Todd Storz was an heir to the Storz Beer Co. out of Omaha, Nebraska. Kamman went to New York, but fortunately returned to present this gift to the Twin Cities. In July 1956 the station stopped playing all night country & western, with Harry Zimmerman playing an hour of jazz, and hour of show tunes, and two hours of country. The station's studios and offices are in Lakeland, Minnesota, while its transmitter is off Commerce Drive near Interstate 94 in Hudson. This first tape was recorded off the air in March 1973. How could this format possibly be a winner on AM? To promote the contest the jocks would ride around on a float in rush hour handing out stickers, hopelessly tying up traffic. Special thanks to Jeff Lonto and Alan Freed! But that was overnights (considered a throwaway daypart by management) on a 50,000 watt station that reached from Canada to Cuba. WDGY, Rock and Roll Oldies Radio, playing the best oldies of the 1960s and 1970s for the Twin Cities! KDWB Studios, 1976 Courtesy RadioTapes.com. in 1330s exciting sportscasts and weather reports. Except that police reported that the incident only involved several youths. Listen To The Most Popular Podcasts On iHeartRadio! The station pushed the technological limits of the day and provided a lot of interesting exercises for WDGY engineers, but Dr. Young never got into regular broadcasts. In summary, it was a conservative, white bread market with only a handful of stations in those days., Although many give Storz the credit for inventing the Top 40 format, Haines asserts that it was already in place. was? Seven ways to listen:FM 92.1, FM 103.7, AM 740, FM 107.1 HD2, Live Stream at WDGYradio.com, Smart Speakers through TuneIn and the WDGY Phone App. (The name change from WISK was reflected in the radio listings in the newspaper on September 19.) This page contains some rare tapes recorded off the air during the 50's 60's and 70's. Paul Franklyn at 6 am, Jim Eckert at 9, Mort Garren at 11, Jim Eckert again at 1 pm, and Leigh Kamman at 4. A free sample is waiting for you at any Provident Drug Store. And it was Snyder Drug Stores. This time he was planning to do the same with KUXL, only without partners, using his life savings. Ten people were arrested, most for carrying firearms. Although they play the jingle "The Music's on Us" you will hear a little more talk compared to the typical WDGY music format. Then there was alternating R&B and Rap at various intervals. To protect stations also on 1130 to the south and east, most of the power was directed north. The Original Rock and Roll Station Contact Us The Colonel became famous and very rich. The station will feature top cuts from current albums along with a selection of singles, with no jingle package and segued sets. On April 18, 1994, after 36 years, the 630kHz frequency went dark. Around that time, a young Leigh Kamman and his friend Sev Widman hosted Studio Party Wham, named after a Jimmie Lunceford tune, showcasing big bands, small combos, and jazz. In 1959, WDGY gained a formidable challenger when KDWB launched. The fire from the furnace traveled to the transmitters and out the intake vents. Hubbards Hundred Days was the headline in late 1973.. KANO was Disk Jockey Rod Persons first radio job in 1959. Well, at least with the progressive announcers on KRSI. The State put it up for sale, and three cheeky guys, Roger Wilson, William Woods, and Dave Herman, put in a bid for $200. The Insider reported that Evan Curfew was playing a Solid Gold Oldies All Request show on Saturdays from 1 5 (am or pm?) As part of the anniversary celebration, listeners were urged to send the station a birthday card with a favorite song from the last year, and if it was drawn the listener could win the Yesterhits Souvenir Album and a chance of winning one of six Hondas. Find out by playing this clip. Published in the Star Tribune on 3/30/2008. The why behind recent legislation. A history of the station prepared much later explained that: In 1956 the owners of WLOL AM added one of the first FM stations. WDGY went through several ownership changes until 1956, when it were purchased by Todd Storz' Storz Broadcasting, an Omaha-based owner of a five-to-seven-station group (the maximum number allowed in those days). WDGY seemed to appeal to 18- to 35-year-old listeners while KDWB held a fair share of the teen audiences - considered hot properties during this period. KSTP had some country shows as well, such as Dude Ranch Jamboree, but some of the other programs leave room for speculation that they may have played something hot: Rhythm at Random, Saturday Juke Box, Young Ideas, and Record Rack. A 1972 article in the Echo opined that KDWB played new songs that were just released, while WDGY only played nationally-established music. In February 2022, the station resumed broadcasting in AM HD. On November 16, 1965, the 2:00 listing in the newspaper for KUXL simply read R&B Express., Apparently the scene with the Fourteen Foxes didnt last too long. The new station would be broadcast at 1570 kilocycles, way at the top of the AM dial, at only 500 watts, daytime only. Three informative features were broadcast every hour each day to draw attention to commercial messages. Theserecordings are not intended to by used by others for commercial purposes. Then on Wednesday, July 8, 1964, were back to the old KUXL! The Star Tribune article also reported that Al Alonzo reported to Newport. It was great to have lunch with Donald K. Martinand talk about his career in broadcasting, which includes several stations in the Twin Cities. There were a bunch of people but no real activity. The ad below was placed during the Cuban Missile Crisis: The ad below is from the Minneapolis Herald, the replacement paper started when the Star and Tribune were on strike in 1962. It was discovered during an antenna proof, when it was noticed there was a drop in signal strength in the main lobe and it was traced to this guys house. Its first owners were John Devaney (Minnesota Supreme Court Justice?) One mainstay was the Key Room, broadcast on Saturday mornings. 980 AM was originally staid WPBC from 1949 to 1972. Police said they did not use tear gas to break up the crowd. Or so reported the Minneapolis Tribune, the day after that. The DJs chose the music, which was 80 percent pop standard and 20 percent contemporary. Donald Perry was the General Manager. They claimed to be running 5,000 watts. On the banner below is an outline of Downtown (St. It was delivered in the back of a pickup truck and weighed 2,300 pounds, made with 1,010 pounds of cookie mix, 725 pounds of powdered sugar, and 172 pounds of shortening. Al, by the way, happens to be a very knowledgeable fella, record wise. On June 18, 1975, 1280 switched to NBCs News and Information Service (NIS). In the first year they logged over a million calls to the Request Line: 920-9999. In 1959 it had a monthly newspaper called Big K News. The old transmitters produced a lot of heat. This is a shottaken at the St. Paul Winter Carnival. Jack Reynolds became General Manager in April 1971. Always a different color of Twin Cities life. Guaranteed to make life more fun. Due to the re-heightened awareness of HD broadcasting on AM surrounding the October 27, 2020 FCC vote to approve voluntary all-digital broadcasting by AM stations, WDGY resumed an HD Radio signal on November 17, 2020. KUXL hosted the Impressions at the Marigold Ballroom on January 22, 1967. It's the music that stands the test of time. On the day the station switched over, rival station KEEY, published this rather gruesome ad. Thats why wed like to call your attention to the music of KEEY-AM at 1400 on your standard radio dial. The stations music survey was Top 15 Teen Tunes, and included 5 Top Comers selected by a High School Panel of Experts. In April 1963, the listings showed Jerry Boyum on from 6 to 10 am, Mort Garren from 10 to 2 pm, and John Sewall from 2 to 7 pm. We ran through the frigid Minnesota December weather to get to the production room. Radio Stations in Minneapolis-Saint Paul, MN Radio stations sorted by popularity Twin Cities News Talk KTLK 1130 AM News/Talk KFAN 100.3 FM KFXN-FM 100.3 FM Sports K-LOVE Radio Contemporary Christian K102 KEEY-FM 102.1 FM Country Music 94.9 El Rey WREY 630 FM Regional Mexican CBS Sports Radio Sports AM 1280 The Patriot WWTC 1280 AM News/Talk The brochure inside the box was a ticket to a huge rock n roll show that would kick off the station. That night God must have liked bubble gum music because his gentle hand protected that flight. In April 1957 the station was owned by the Franklin Broadcasting Co., William F. Johns, Jr., Vice President and General Manager. This first tape was recorded of the radio on June 4, 1973 from 10 AM to 11:30 AM with the music and commercials out. KANO was located in Anoka, with the studio and tower located on a gravel road just north of the Anoka County Fairgrounds in present-day Ramsey. A media phenomenon, Coast to Coast AM deals with UFO's, strange occurrences, life after death, and other unexplained (and often inexplicable) phenomena. The 1989 Broadcasting Yearbook reported that the station was now owned by Newport Broadcasting. Radio and Records magazine, March 18, 1977, courtesy Todd Mitchell, Only reference to Y-11 that came up in a search of the Strib. Subscribe Now To Listen Your Favorite Songs On Demand! The cops busted four men and three women for selling liquor without a license (and on a Sunday!). As an added advantage, U100 was the first Twin Cities top 40 station to broadcast simulcast on the FM dial in stereo (in addition to 980 AM). Wedgy Devices - WEDGY12 & WEDGY23Cable Support Attachment Accessories for 600, 700, 800, 900 Series Wedgy Supports. During the next two years, U100 quickly became the most talked-about and Number one rated radio station in town. A construction permit was granted to install a new transmitter and a permit was granted to increase power to 1kw on October 1, 1963. This billboard at 9th and Hennepin tells us that WTCNs radio and TV studios were at Radio City. They never expected the gigantic turnout, and the ultra-gigantic cookie that won the contest! Although authorized for only 500 watts from midnight to 4am, it had been broadcasting at full 5,000 watt strength since Crowell-Collier Broadcasting bought the station in late 1959. The program was one half hour long and started on October 17, 1964. Probably poached from Facebook. From an ad from May 1970: WDGYA Touch of Taste.. At the time it was programming Classical music. What about a transmitter? WDGY (740 kHz) is a commercial AM radio station licensed to Hudson, Wisconsin, and serving the Minneapolis-St. Paul radio market. VSNN had taken over the station on a management agreement and, in reality, nobody else at VSNN wanted the PD job. The concerts were advertised in the Minneapolis Spokesman, the citys African-American newspaper, but rarely in the mainstream dailies. They broke through one of the doors, and then the police decided to keep them back by lobbing teargas into the crowd. Program directors like me used the more exclusive Gavin Report from Bill and Janet Gavin in San Francisco. The studio, transmitter, and a 3-tower directional antenna array were located off Military Road in Woodbury (just east of Newport). In summary, it was a conservative, white bread market with only a handful of stations in those days., Although many give Storz the credit for inventing the Top 40 format, Haines asserts that it was already in place. In the September 1971 Insider, reviewer Will Shapira profiled W. Amos Johnson, who did a two-hour jazz show on KUXL each Sunday. An invaluable source of information about the history of WDGY comes from a Masters Thesis written by Jerry Verne Haines in 1970. Half an hour later, police were called to break up the crowd of 200 who had gathered outside the Ballroom when an unidentified youth discharged a fountain pen tear gas gun. The programming would be segmentized, appealing to the sophisticated audiophile with no verbal interpretation heard during the program We will be one of the few FM stations in the country doing all music programming in stereophonic sound. The FM station would also offer comedy albums, folk music, and spoken word segments. WISK, soon to be known as KDWB, was at 630, a spot no one in the listening area had ever heard, or even heard of. The term we are using to describe this particular form of AOR is Coloradio. Our research and general observations indicate that this is the direction of AM Top 40 radio, so we may as well start now.. WDGY Hit Car - Late 60's. Who is this guy? For airchecks and photos, a great site is: http://twincitiesradioairchecks.com/krsiandkfmx.html. It had hope to start broadcasting a week ago but was held up by equipment delays. Stephen B. Labunski was made General Manager. Although the records say that KUXL was granted the license to increase its power to 1000 watts on October 1, 1963, Will Jones of the, Both KFMX 104.1 and KRSI 950 am flipped to Music of Your Life as KRSI AM-FM that day, with Don Shore as the Program Director and morning host. He was hired to do the jazz show, but moved to take over the R&B show when that opened up. The Original Rock and Roll Station. This is a shot of the transmitter site of WDGY/1130AM radio, along 35W at about 102nd Street. Although Charles J. Lanphier of Milwaukee took out a construction permit for a new broadcast station on October 7, 1957, for some reason it took four years to be realized. It was perhaps the only American commercial radio station the Russians had to jam to prevent their people from hearing all that decadent American Rock & Roll! After a couple of changes the call letters became WDGY (Dr. George Young) in 1926. The schedule on December 30, 1971, shows Rhythm & Blues programming from 1pm until dark and 6 am until 6:45 am. In 2008, the station became WDGY after sister station 630 AM switched to Regional Mexican music, using the call letters WREY. I took this from a flight I took in 1977. By 1957 KSTP was squarely on the rock n roll bandwagon, but got off pretty quickly. I had hired Don French to be the KDWB PD. Recorded of the air in March 1968. It is imperative that this unit be installed as soon as possible when received.. Rock. At the time it was billed as The New WDGY Your Radioactive Station! Top 40s available from July 21, 1956 on do show that the playlist was definitely rock n roll, although they played a lot of cover versions and a lot of schmaltz. One song in 57 looks suspiciously local: Paddlin Ingabord Home by Ole The Singing Janitor. Another January 1957 ad said If You Dig Rhythm N Blues Mitchells the Most! An undated report says KEVE did a remote broadcast from the Flame on Saturday nights from 10:30 to 11:30 pm. I was a young kid when I first listened to WDGY and KDWB. Their playlist is appealing, though their disk jockeys are somewhat obnoxious., Chuck Knapp: Fun times is rock & roll with the very talented 15/KSTP The Music Station staff in 1975. On April 13, 1968, Billboard reported that Ray Moss had gone to California for a job with XERB, but returned quickly and with a new name: Daddy Soul. The Insider reported that Moss became the new music director in April 1968, and was on-air from 3 to 7, Monday through Friday. Back to the drama. The manager was Roger D. Wilson, and in an ad for sales people he called the station Katy Radio.. 636 Selby Ave. Photo courtesy Jeff Neuberger. Listen to Paul Geiger in the morning! In the 60 I later converted to KDWB, but still listened to WDGY. In 1978, promoter Tom Tipton noted that KUXL played only 11 hours of soul music per week. CLICK ON IMAGE TO ENLARGE, One of the last music surveys published by WDGY. U100 Studio. The first station in the country to receive disciplinary action was KDWB. Fortunately, the door blew open before he got there. In April 1957 the station was owned by BVM Broadcasting Co. and Victor Tedesco was General Manager, replacing Sam Sabean. Front row John Hines and Larry Carolla. http://twincitiesradioairchecks.com/kstpam70s.html. Stuart A. Lindman with photos of Steve Cannon, Merle Hub Cap Edwards, and Bill Diehl, 1949. Seriously, who thought progressive rock on AM was a good idea? And he skipped out on the landlord, too. band (which had necessitated the Mighty 1130s switch in the first place.) In 1973-75 Chuck Knapp and Charlie Bush in the morning, Machine Gun Kelly and others livened things up. July 12, 1964, brought the advent of Arthur Hoehn, who would become Fat Daddy Washington as the station became more black oriented. In May 2006 the recordings started to beconverted to MP3 andsharedhere. Finally, in the late 50s Sam Cooke broke the color barrier in the Midwest with You Send Me and black artists began to appear regularly on Top 40 charts. Meanwhile, Preacher Paul was bugged at being in a hot studio from 2 to 6, so starting in mid-June he was going out in a mobile trailer to broadcast from various outdoor locations around the Twin Cities. In 1956 the station was sold to the Crowell-Collier publishing firm. He was a captivating jock on WDGY. On December 9, 1938, Tom Colemans Famous Swing Trio, with Florence Ward, appeared at a dance at Pioneer Hall, 588 Rondo, advertised as being broadcast on WMINs Down Beat Program. WDGY was different pre-Beatles. The report of the St. Paul Urban Coalition, headed by Arthur S. Fleming, President of Macalester College, was released in March 1969 and echoed the first but was much more detailed and damning. I hope to get some late 60's clips up on the site soon. Oh wait! Contributed by John Pratt 12-6-07. (1970's), The WDGY Production Room. [1] Contents But was this the first opportunity that Twin Citians had to hear what came to be known as rock n roll on the radio? The action was finally granted on July 19, 1961. Rob flew to Dallas to supervise cutting new jingles for Y100 at the media jingle production company PAMs. Bill Hartman commandeered the U of Minnesota theater production company to help create an exterior faade that would cover a small trailer to remote broadcast from the State Fair. In 1953-55 announcers included Howard Viken, Don Riley, Harry Zimmerman, Slim Jim Iverson, and Slim Jims brother the Vagabond Kid. I suppose at full speed, in December, the ride to Peoria would take 18 hours. At the time he was operating two mobile discos called Soul on the Roll Disco Rendezvous.. The switch to talk was gradual over two years. The Colonel loved the whole idea and agreed to do it. In January 1973, KUXL officially went out of the R&B business at least for a while and began a talk show format. Im going to jump back a little into the chronology of events at the station after listing all of the concerts I could find. Try it for a week. Dan Pothier (pronounced Poh-SHAY) worked at the station around this time as well. For that matter, we were discouraged from using the term teenager too. The recordings on this site provide historical examples of Twin Cities radio and are intended for purposes of archival preservation and for research. In a column dated January 24, 1954, Will Jones of the Trib called Cannon a Hep Talking radio disk jockey.. The contributed recordings fromfriends and contributors of both airchecks and other material are greatly appreciated. The ad campaign for 1964 was UP radio (imagine an arrow on the UP). One was the Uncle Elmer Show. A rural comedy production? I was able to get this shot during a visit to see Jimmy Reed. You will enjoy tuning up to the quality sound of sound radio programming on KUXL. On June 12, 1967, the stations application to change its studio location to 5728 Wayzata Blvd. The company engineers actually had to install coils to de-tune the water tower before the license could be approved for 50kw operation. WDGY was founded in 1923 by Dr. George Young, an optometrist who dabbled in radio as a hobby, and was one of the first commercial radio stations in the Twin Cities area. A huge booklet issued in 1949 provides pictures of everyone involved in the station and all the reasons why America is better than any other country. We had been wounded, but we werent dead. Quick installation and adjustment. It was Percy Faith type music. The precursor to KDWB was founded in 1951 by Nick, Vic and Al Tedesco, sons of Italian immigrants from the province of Calabria. Efforts to find out who was playing that night were fruitless. So they had to have an engineer on duty at the KRSI transmitter to change the store announcements that interrupted the music. Donald K. Martin reading the news in the WDGY newsroom. This venerable station was around for a long time, and occasionally tried on new names, including: This page, like this website, sticks to pre-1975, and tries to focus on popular music. All stations will soon be equipped with an echo chamber for ON AIR use. By 1956 WLOL was squarely in the rock n roll camp and stayed there until at least 1959, although WLOL-FM featured classical music. Newspapers? He came with no radio training at all in fact, he was a bartender but the station executives were impressed with his verbal fluency and vast knowledge of music. In 1942, the station gained approval to broadcast at night. Photo courtesy Curt Lundgren a/k/a Evan Curfew. In June 1959 the Tedescos sold the station to Crowell-Collier, owner of the legendary KFWB in Los Angeles. Fire trucks are on the scene and well up-date you as additional details come in.. They kept the WYOO call letters, to avoid the hassle and long process of changing call letters with the FCC. Some notes about this copy. (Minneapolis Tribune, January 27, 1966). Herb Oscar Anderson was the first disk jockey on the air with the new Top 40 rock n roll format that morning, and the jocks and the new sounds boosted the station from a tepid Number 4 to second place behind behemoth WCCO. Thinking about how to tell the good people of the Twin Cities there was some good radio on the South end of the dial was pretty much all I was thinking about. The radio studios are on Utica Avenue South in St. Louis Park . CopyrightWDGY Radio. Some not so happily as others, he admits. The paper called the new WMINs format variety.. Take the elevator, said the sign. Jimmy was good friends with Tac Hammer, who was working at request radio KRSI at the time and also a former KDWB-AM jock. On August 26, 1974, live at the Minnesota State Fair, the oldies format became boogie, with KDWB alumnus Rob Sherwood heading up a wild and crazy format as U100. On December 20, 1977, a permit was approved to change the tower location to 5650 St. Croix Ave. in Golden Valley. Tom Wynn at his current job at KFGO in Fargo ND. A 1969 shot of me (Rick Burnett a/k/a Rick Mason) when I was visiting the studio. Article on Scott Burton's injury during a WDGY promotional event. As you commented in Scott's Guest bookthey don't seem to do radio like that anymore. My DJ page tells me that Ronn the Rajah of Rhythm & Bluess real name was Ron Samuels the one who married Wonder Woman? Ironically, he then started the next record, Na Na Kiss Him Goodbye by Steam and once again left the building. Studio and Transmitter were at 611 Frontenac Place, St. Paul. Bowman image sent to me by John Pratt, formerly of WDGY. The Impressions made an appearance at the Marigold on Sunday, April 11, 1965. KANO was started in 1956 by Jack Lemme, who owned a radio station in Little Falls. The station signed on with a cowbell. Kamman produced live broadcasts from Mitchs Roadhouse in Mendota and hung out at the Club Casino in the Hotel St. Paul where the big bands played. In January 1971 the station started to gradually move away from the oldies and gradually more toward album cuts. Skotchs idea was to create something new. So many questions. Since one company could not own more than one AM or more than one FM station in the same market at the time, they needed to find a buyer for the FM station, and sought out the owners of various AM stations in the area. For more on Progressive/Underground Rock, see KRSI. The contributer, 'wild wilson' a/k/a as'wildman' has his onw internet polka radio show. . Imogene was giving free rides in the parking lot for a new ad campaign. It is believed that the first transmission of the 120- or 125-line systemprobably the first telecast in Minnesotaoccurred on August 4 of that year, featuring a handshake between WDGY station personality Clellan Card and Minneapolis mayor William Kunze. Vineland Place and Oak Grove Street meet in front of WLOL with the Basilica of St. Mary visible in the background. The program director, Rob Sherwood, used this opportunity to abruptly change the format of both stations, debuting the AM and FM simulcast of Super U100 with a Joe Cocker song and a two-minute montage of the new stations new jingles. The team could not play high school and college teams, but would go out to small towns for exhibition games. And you can try it today. He was in town doing two shows at the Flame Nightclub at 16th and Nicollet in downtown Minneapolis. The format was Country With A Kick. 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In Los Angeles and General Manager, replacing Sam Sabean announcers on KRSI tells me that the. 3-Tower directional antenna array were located off Military Road in Woodbury ( just east of Newport ) antenna were... Around this time he was hired to do the same with KUXL only...
